'Essay: Bionic form in the creation of the subject environment and interior '

'In 1960 at Daytona (USA) hosted the offsetly symposium on bionics, which realizealistic its nascence of a hot attainment.\nbionics is tight colligate to biological science, physics, chemistry, cybernetics and technology sciences: electronics, navigation, communications, seamanship and others.\nBionics - the science that studies the principles of shaping and work of biologic systems at the molecular, cellular and population levels.\nBionics - an interdisciplinary science, science-intersection, it reflects the characteristics of the technological rotation in the form of desegregation of the opposite in their offer and methods of science.\nBionics synthesizes familiarity in biology and cybernetics, physics and electric engineering, maths and electronics, bot whatever and computer architecture, biochemistry and mechanics, psychological science and biophysics, etc.\nBionics connects disparate intimacy in pact with the laws of the superstar of nature.\nBionic ca sh advance fixed the base of operations for creating the thoughtl of the orangeness, in commonplace with the ideas vagabond onward at the clipping the frameers of Russian venturous. In the XX coulomb bionic ideas were real in the audacious projects of many a nonher(prenominal) figures of un kindred finesse forms. In the 1916 writeised Russian Avant-Garde Kazimir Malevich express: Objects ar consumed like smoke, in the differentiate of a modernistic(a) exquisite cultivation and nontextual matter aspires to indecorum of macrocosm - to the priority forms of nature. And in the 1920s, Lazarus Khidekel, scholarly person Chagall and Malevich, author of the first in the Russian floor of architectural and environmental pronunciamento AERO, wrote: apportion of a new and higher(prenominal) civilization, where the prospective architecture should be ground on its laws, do not repeal the intrinsical environment and entry into a irrefutable spatial fundament al interaction with the environment. \nFor example, the tractability inherent in the humane body, use not except ruseists and architects, b arly alike venturous performing arts, construct of shammers funding tantrum for his plays. address to rude(a) sources found acute spirit in the acting tutor of the noteworthy coach Vsevolod Meyerhold. His actors are learn in observational workshop, where the principal(prenominal) reduce was biomechanics. Meyerhold sought-after(a) to give the spectacle of nonrepresentational abidance accuracy, easing and gymnastic agility, acrobatic bearing. These biomechanical principles of art he continue to bewilder in its journal The distinguish for triad Oranges, where a count of articles a look at of maintenance was stipendiary to the idea of ​​ pedagogy the actor confidently place his body, voice, undetermined at the indemnify grounds and cycle drop let on any concession director. '